March 8, 2007

 Navigation

   Home Page

 News & Features

   News

 Columns & Opinions

   Publisher's Note

   Boomers

   Pinings

   Longshots

   Techie

 Pop Culture

   Film

   TV

   Books
   Video Games
   CD Reviews

 Living

   Food

   Wine

   Beer
   Grazing Guide

 Music

   Articles

   Music Roundup

   Live Music/DJs

   MP3 & Podcasts

   Bandmates

 Arts

   Theater

   Art

 Find A Hippo

   Manchester

   Nashua

 Classifieds

   View Classified Ads

   Place a Classified Ad

 Advertising

   Advertising

   Rates

 Contact Us

   Hippo Staff

   How to Reach The Hippo

 Past Issues

   Browse by Cover


A Touch of Class, Still Sucks
ATOC Recordings, 2007

One distinct characteristic of this decade’s musical landscape is the power and respect given individuals who are in general much more at home behind the mixing board and/or off backstage someplace. Seems like everyone with a sequencer or a Casio is more intent on an aggregate producer/DJ/dealmaker role than simple rock stardom, which may not be so much a byproduct of MySpace as it is a desire not to become a victim of evil industry. At any rate, ATOC aren’t just label guys or DJ guys or all-purpose producer guys but a two-man insurgence, having broken the Scissor Sisters and The Ones while the Keystone Kops in downtown major label land were snoring. Like its predecessor, Sucks, the remixes of Still Sucks fixate on house-ing up, as best can be done, old-school disco tunes from both new and established bands. Le Tigre’s diva-shout-out “After Dark” gets made over for a proper splash at Twilo; Erasure’s “Don’t Say You Love Me” undergoes radical percolation therapy, and the Flying V guitars come out for Scissor Sisters’ gay-disco opus “Filthy/Gorgeous.” B Eric W. Saeger